Sunday, March 11, 2012

RM 120 FOR A 3FT BY 3 FT PAINTING OF A SLEEPING GIRL?

KEE@FSWMAG.COM

OF COURSE I AM NOT GOING TO PAY RM 120 MILLION FOR A PAINTING THAT LOOKS MORE LIKE A ONE-DIMENSIONAL CARTOON OF A SLEEPING GIRL FOR A SHOCKING AND NERVE-NUMBING RM 120 MILLION!
Sotheby's New York _Lichtenstein Sleeping Girl.jpg
This painting called 'Sleeping Girl' by Roy Lichtenstein is expected to fetch up to RM 120 million when Sotheby's auctions it on 9 May 2012 at Sotheby's New York. Don't all rush now...


FIRST, THE PICTURE IS ONLY 3 FT BY 3 FT WHICH IS NOT EXACTLY THE WORLD'S BIGGEST PAINTING NOR A BIG ONE BY ANY STANDARD. SURE IT IS NOT A MINIATURE PAINTING THAT REQUIRES A MAGNIFYING GLASS BUT EVEN SO, IT WILL NOT TAKE UP AN ENTIRE WALL.

I must say this picture is rather nice and bright and cheerful but I am willing to sell 3ft by 3 ft photos of me sleeping like a cherub without my mouth open and saliva dripping slowly out for RM 120 inclusive of worldwide delivery.

Worse, your 10- year old nephew will comment how nice your new 'Sleeping Girl cartoon is and can he paint a matching painting of a sleeping boy for you for 10 visits to KFC or McDonalds? Come to think of it, even you, who have never held a paint brush in your paws can also make a reasonably respected version of a sleeping person regardless of sex.

Paying RM 120 million for a Leonardo da Vinci or Michaelangelo or Vermeer or Vincent van Gogh is over-priced by my standard as there are so many millions dying of starvation and you can buy a poster of any painting for RM 50 and use the millions to feed the poor, educated the wretched children or sponsor research for some disease! I always think a poster of Mona Lisa is nearly as good as the real painting and I can sleep peacefully, knowing no self-respecting burglar will stab me to death to steal a poster. Of course if the moronic thief thought I owned the original and killed me for it, then I will really rue the day I bought the poster! Gosh, I really would be a hungry, angry ghost!

As it is, the artist who painted 'Sleeping Girl' and whose owner now fully expects someone to dolw out RM 120 million is not world famous either. Roy Lichtenstein is not a name that pops up during learned discourses and worse, it is not easy to pronounce, especially for chinamen. It is not even easy to spell as even I, genius as I am, had to slow my typing to cogitate my mental faculties to spell his name correctly.

'Sleeping Girl' is supposed to be one of the masterpieces of the 20th century but I beg to differ. Surely it is not in the same ilk as 'The Scream' or 'Sunflowers' and 'Irises' or 'Starry, Starry Night'!

But then I am not drowning in loose change of RM 120 million and one man's meat is another man's poison so don't be surprised when I take up painting in my old age as I can write beautiful, heart-wrenching epistles to accompany each masterpiece! Oh the angst I suffered and the splitting headaches I endured to complete this painting, let alone the sleep and sex I had to sacrifice. I am sure all my paintings will jump off my easel.

Anyway, good luck and congrats to the new owner!
Sotheby's New York _Lichtenstein Sleeping Girl.jpg
A polka-dotted Sleeping Beauty

Iconic Beauty
Sotheby’s to Offer Roy Lichtenstein’s Sleeping Girl
From 1964 in New York on 9 May 2012

NEW YORK, NY - Sotheby’s Evening Sale of Contemporary Art on 9 May 2012 will feature Roy Lichtenstein’s Sleeping Girl from 1964 (36 x 36 in., 91.5 x 91.5 cm) – one of the high-points of the artist’s comic book inspired paintings and an icon of Post-War American art. The sexy blonde women of the comic book series are not only one of the most instantly recognizable icons of the Pop Art movement but continue the long, rich tradition of artists’ celebrations of the sleeping female form. Paintings from this series are featured in the collections of major
institutions throughout the world such as the Museum of Modern Art, New York and this work has remained in private hands for the past 48 years. Sleeping Girl is estimated to sell for $30/40 million and will be shown in Los Angeles, Hong Kong, London and New York prior to the auction on 9 May.

“Sleeping Girl is one of the great masterpieces of the 20th century, counting iconic depictions of women by Pablo Picasso, Constantin Brancusi and Amedeo Modigliani among its peers,” commented Tobias Meyer, Sotheby’s Worldwide Head of Contemporary Art. “Lichtenstein’s ‘girls’ are arguably his most desirable works today and Sleeping Girl has been coveted since it was acquired in 1964, the year it was painted. It is astonishingly fresh and vibrant, as if it were painted yesterday.” Sleeping Girl has not appeared on the market since it was purchased by noted West Coast collectors and philanthropists Beatrice and Phillip Gersh, from the Ferus Gallery in 1964. The Gershes were founding members of The Museum of Contemporary Art in Los Angeles (MOCA) and part of a distinguished group of collectors who established the modern and contemporary art scene in the region.

Their commitment to supporting the arts
in Los Angeles is evidenced in part by their generous donations of several major works to MOCA including Cubi III (1961), a stainless steel sculpture by David Smith and Jackson Pollock’s seminal painting Number 3, 1948 (1948), both of which are currently on view at MOCA as part of A Tribute to Beatrice and Philip Gersh: Gifts to The Museum of Contemporary Art through 27 February 2012. Passionate collectors, they rarely loaned their works to museum exhibitions, preferring to keep them at home, and in the 48 years since its purchase, Sleeping
Girl has been exhibited only once, in the 1989/90 Museum of Contemporary Art, Los Angeles exhibition Selections from the Beatrice and Philip Gersh Collection.


In the 1960s, The Ferus Gallery in Los Angeles was the port-of-call for all burgeoning collectors on the West Coast. The gallery championed the careers of artists such as Andy Warhol, Ed Ruscha and Roy Lichtenstein, to name a few. Legendary dealer Irving Blum was at the helm of the Ferus Gallery when Sleeping Girl was purchased by the Gershes. At the time, works by Lichtenstein were rare and highly sought-after and he recalled that “Bea fought like a lioness for that painting.”


This transformation of mass-produced commercial images into the realm of Fine Art is unequivocally one of the most important principles of 20th century art practice, and Sleeping Girl is its crowning achievement. Sleeping Girl is the highpoint of Lichtenstein’s most acclaimed and sustained body of work, painted between 1961 and 1965, and stands out as the clear masterpiece among the single-figure, square-format paintings of women from 1964,
with a perfect harmony of size, composition and color.


From the Old Masters to Brancusi and Picasso, the sleeping female muse has been celebrated in the visual arts and Lichtenstein’s romantic cartoon paintings make a compelling and dynamic contribution to that long tradition. Like Picasso, Lichtenstein was fascinated by women but in contrast to the modern master, works like Sleeping Girl are a vehicle for his innovation and contribution to 20th century art history, rather than homage to specific women.


A number of additional works collected by the Gershes will also be offered in upcoming auctions at Sotheby’s this season. Among them are a group of Contemporary works by artists including Mark di Suvero, Susan Rothenberg, Tony Cragg and Kiki Smith, some of which were exhibited alongside Lichtenstein’s Sleeping Girl in the 1989/90 MOCA exhibition, Selections from the Beatrice and Philip Gersh Collection. The offerings this spring will also include American Indian and African Works of Art. Further details will be available in the coming months.
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